Bostich (Ramón Amezcua) uses Point Loma as an excuse for experiments with his collection of obscure analog synthesizers, began his career in electronic music in 1988 with the release of two ambient electronic albums. He worked with Panoptica and Fussible to establish the Nortec sound, an original musical style blending the sounds of traditional instruments of Tijuana with electronic beats.

The result of this collaboration was the danceable 'Polaris', an aggressively danceable track that fully represented the then newly created Nortec sound, which gained Bostich the title The Godfather of Nortec. Besides touring the world and providing quality dentistry, Ramon continues working on his first all Nortec-style Bostich album, as well as doing an alternate project called 'Point Loma'. "Amongst the most promising of the new wave of Latin producers is 'Point Loma', a master analog beat-smith whose 'Foraneo' shudders, trips, and drips motor oil on the nice rugs of his indie-tronic bedroom contemporaries". John H DeGroot- grooves magazine

AZCHL205 £11.00

Point Loma- Forneo

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